Arial Wikipedia. Arial, sometimes marketed or displayed in software as Arial MT, is a sans seriftypeface and set of computer fonts. Fonts from the Arial family are packaged with all versions of Microsoft Windows from Windows 3. Personalized Luminary Bag Lights Custom Printed 10 PACK Free Setup Luminary Light Accessory Available Separately. We use our popular luminary bags as a base to. Microsoftsoftware applications,1Apple. Mac OS X2 and many Post. Script 3 computer printers. The typeface was designed in 1. Robin Nicholas and Patricia Saunders, for Monotype Typography. It was created to be metrically identical to the popular typeface Helvetica, with all character widths identical, so that a document designed in Helvetica could be displayed and printed correctly without having to pay for a Helvetica license. The Arial typeface comprises many styles Regular, Italic, Medium, Medium Italic, Bold, Bold Italic, Black, Black Italic, Extra Bold, Extra Bold Italic, Light, Light Italic, Narrow, Narrow Italic, Narrow Bold, Narrow Bold Italic, Condensed, Light Condensed, Bold Condensed, and Extra Bold Condensed. The extended Arial type family includes more styles Rounded Light, Regular, Bold, Extra Bold Monospaced Regular, Oblique, Bold, Bold Oblique. Many of these have been issued in multiple font configurations with different degrees of language support. The most widely used and bundled Arial fonts are Arial Regular, Italic, Bold, and Bold Italic the same styles of Arial Narrow and Arial Black. More recently, Arial Rounded has also been widely bundled. Design characteristicsedit. Some of the more visible differences between Helvetica and Arial. Bitstream Vera, an unrelated sans serif in the humanist style, is shown below for comparison. Embedded in version 3. Open. Type version of Arial is the following description of the typeface A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions. In 2. 00. 5, Robin Nicholas said, It was designed as a generic sans serif almost a bland sans serif. Arial is a neo grotesque typeface a design based on the influence of nineteenth century sans serifs, but made more regular and even to be more suited to continuous body text and to form a cohesive family of fonts. Apart from the need to match Helvetica, the letter shapes of Arial are also strongly influenced by Monotypes own Monotype Grotesque designs, released in or by the 1. New Grotesque, an abortive redesign from 1. The designs of the R, G and r also resemble Gill Sans. The changes cause the typeface to nearly match Linotype. Helvetica in both proportion and weight see figure, and perfectly match in width. Monotype executive Allan Haley observed, Arial was drawn more rounded than Helvetica, the curves softer and fuller and the counters more open. Based on Lucida Serif, it features more contrasted strokes and serifs. The font was first used as the text face for Scientific American magazine, and its letter. Arial Sometimes called Arial Regular to distinguish its width from Arial Narrow, it contains Arial Roman text weight, Arial Italic, Arial Bold, Arial Bold Italic. Gabriola Bold Font Free Download' title='Gabriola Bold Font Free Download' />The ends of the strokes on letters such as c, e, g and s, rather than being cut off on the horizontal, are terminated at the more natural angle in relation to the stroke direction. Matthew Carter, a consultant for IBM during its design process, described it as a Helvetica clone, based ostensibly on their Grots 2. The styling of Arabic glyphs comes from Times New Roman, which have more varied stroke widths than the Latin, Greek, Cyrillic glyphs found in the font. Arial Unicode MS uses monotone stroke widths on Arabic glyphs, similar to Tahoma. The Cyrillic, Greek and Coptic Spacing Modifier Letters glyphs initially introduced in Arial Unicode MS, but later debuted in Arial version 5. A 2. 01. 0 Princeton University study involving presenting students with text in a font slightly more difficult to read found that they consistently retained more information from material displayed in so called disfluent or ugly fonts Monotype Corsiva, Haettenschweiler, Comic Sans Italicized were used than in a simple, more readable font such as Arial. HistoryeditIBM debuted two printers for the in office publishing market in 1. DPI 3. 80. 0 3 laserxerographic printer, and the 6. DPI 4. 25. 0 electro erosion laminate typesetter. Monotype was under contract to supply bitmap fonts for both printers. The fonts for the 4. IBM in 1. 98. 3,1. Helvetica, which Monotype sub licensed from Linotype. For the 3. 80. 0 3, Monotype replaced Helvetica with Arial. The hand drawn Arial artwork was completed in 1. Monotype by a 1. 0 person team led by Robin Nicholas and Patricia Saunders51. Monotype at 2. 40 DPI expressly for the 3. IBM named the font Sonoran Sans Serif due to licensing restrictions and the manufacturing facilitys location Tucson, Arizona, in the Sonoran Desert,91. Sonoran Sans Serif family, a functional equivalent of Monotype Arial, would be available for licensed use in the 3. There were initially 1. Roman medium, Roman bold, italic medium, and italic bold, for a total of 5. Each contained 2. Danish, Dutch, English, Finnish, French, German, Italian, Norwegian, Portuguese, Spanish, and Swedish. Monotype and IBM later expanded the family to include 3. DPI bitmaps and characters for additional languages. In 1. 98. 9, Monotype produced Post. Script Type 1 outline versions of several Monotype fonts,1. Post. Script version of Arial was not available until 1. In the meantime, a company called Birmy marketed a version of Arial in a Type 1 compatible format. In 1. 99. 0, Robin Nicholas, Patricia Saunders51. Steve Matteson developed a True. Type outline version of Arial which was licensed to Microsoft. In 1. 99. 2, Microsoft chose Arial to be one of the four core True. Type fonts in Windows 3. Helvetica. 1. 51. Matthew Carter has noted that the deal was complex and included a bailout of Monotype, which was in financial difficulties, by Microsoft. Microsoft would later extensively fund the development of Arial as a font that supported many languages and scripts. Monotype employee Rod Mac. Donald noted As to the widespread notion that Microsoft did not want to pay licensing fees for Helvetica, Monotype director Allan Haley has publicly stated, more than once, that the amount of money Microsoft paid over the years for the development of Arial could finance a small country. Arial ultimately became one of several clones of Post. Script standard fonts created by Monotype in collaboration with or sold to Microsoft around this time, including Century Gothic a clone of ITC Avant Garde, Book Antiqua Palatino and Bookman Old Style ITC Bookman. True. TypeOpen. Type version historyeditThis section needs expansion. You can help by adding to it. May 2. Version 2. Hebrew designed by Baruch Gorkin2. Arabic glyphs, with most of Arabic added on non italic fonts. Version 5. 0. 0 added support for Latin C and Latin D, IPA Extension, Greek Extended, Cyrillic Supplement, and Coptic characters. Version 9. 0. 0 added support for Latin E, Cyrillic Extended B and C. DistributioneditTrue. Type editions of Arial have shipped as part of Microsoft Windows since the introduction of Windows 3. Since 1. 99. 9, Microsoft Office has shipped with Arial Unicode MS, a version of Arial that includes many international characters from the Unicode standard. This version of the typeface is the most widely distributed pan Unicode font. Arial MT, a Post. Script version of the Arial font family, was distributed with Acrobat Reader 4 and 5. Post. Script does not require support for a specific set of fonts, but Arial and Helvetica are among the 4. Post. Script Level 3 devices typically support. Mac OS X was the first Mac OS version to include Arial it was not included in classic Mac OS. Top 1. 0 Origins Of Famous Fonts. Although theyre literally at our fingertips, we seldom think of them. However, our word processors fonts sometimes have intriguing, even surprising origins, and theyre not always free of controversy and criticism. Businesses have commissioned some of them. Others have been inspired by cartoon lettering, music, road signs, and puzzles. Still others are based on marketplace needs, requirements imposed by technological devices, or innovations in art, design, and manufacturing. Whatever led to the development of these fonts, the inspirations behind them are, at times, inspirational in themselves. Wingdings. Originally, the weird font that became known as Wingdings was hand drawn before being digitized, printed, and exhibited at the 1. Association Typographique Internationale conference in London, England. Microsoft bought the font in 1. Wingdings and remapping the keyboard layout. But who would want a collection of these weird symbols and why At the time the font was invented, incorporating images into text documents was difficult and time consuming. Graphics libraries were limited, and graphics files were large and depended on hard drives with severe space limitations. Something New The Beatles Rare. Lucida designers Charles Bigelow and Kris Holmes offered their strange font characters as a solution. Lucida Icons, Lucida Arrows, and Lucida Stars supplied ready made, easy to use images that users could easily insert into their documents to add a bit of early 1. The weirdest thing about Wingdings, though, wasnt typing a Q and producing the image of an airplane or getting a flag in exchange for a P. It was a bizarre controversy generated by its use. Conspiracy theorists were convinced that using Wingdings was a way of typing secret messages. One such message was allegedly anti Semitic. Typing NYC resulted in a skull and crossbones, followed by a Star of David, followed by a thumbs up gesture. Conspiracy theorists suggested that this indicated it was acceptable to kill Jews who lived or worked in New York City. Microsoft insisted that there was no conspiracy. Rather, the substitution of these particular icons for those letters was the result of mere coincidence. In fact, the characters of the original Lucida font, on which Wingdings is based, were selected from a variety of sources, including ancient gestures, medieval manuscripts, modern inventions. Also, Bigelow and Holmes liked fleurons, which are floral designs based on flowers from their yard. Comic Sans. An Internet campaign against the use of Comic Sans argues that the font is too unsophisticated. It is childish, critics contend, bordering on infantile. Worse yet, its users seem determined to print its characters in bright, primary colors, adding to its childish appearance. What such critics seem to have forgotten, if theyve ever known it, is that Comic Sans is supposed to look unsophisticated. It was designed to look childlike, if not childish. In 1. 99. 4, its designer, Vincent Connare, thought that the font chosen for Microsoft Bob, a new user friendly software suite for children, was too sedate for the product. He wanted something more dynamic. Connare was inspired by the lettering of the text he saw in cartoon speech bubbles. Using a program for making fonts, he rounded off the letters, making a simple, fun, new font. His font wasnt selected for the Microsoft Bob package, though, because it didnt fit the companys existing grids. Instead, when Microsoft later launched its Movie Maker program, Connares font was chosen for the new software. Subsequently, Comic Sans was included with the Windows 9. Although reviled by those who dont appreciate its appearance, Comic Sans remains popular with many and is a favorite among people who work with dyslexic children. Centaur. Over the centuries, font weights were added to existing typefaces. For example, italic and bold weights, which we take for granted today, didnt exist until the late 1. The weight of a font is determined by a characters thickness relative to the characters height. In general, the heavier the weight, the darker the impression created by the typeface. English poet and novelist William Morris was so impressed with French engraver Nicolas Jensons printing from the late 1. Morris sought to revive the font created from that typeface. As a result, he had another font produced for his 1. Jensons earlier typeface. Morris faced a conundrum, though. Neither bold nor italic font weights existed in Jensons time. Consequently, another 3. Centaur. Papal scribe Ludovico Vicentino degli Arrighi was also a type designer, and he printed several of his works, which included italics based on his own calligraphy. Others also contributed to the creation of italic weights, but he is credited with one of the most elegant and popular versions. Bold weights appear to have been introduced in 1. Paris. During their convention, the committee established a table of bold sans serif and hairline alphabets in 1. It became generally accepted and is still used today by mapmakers. Copperplate Gothic. Despite its name, Copperplate Gothic is not a true Gothic font. Gothic styles lack serifs small lines protruding from the tops and bottoms of many letters and from the ends of the top bar of the capital T, for example. Whats more unusual about this font, though, is that Frederic Goudy, its designer, created only capital letters for it. He did that because the font was initially intended only for headings and key words of text. Times New Roman. In 1. The Times, a British newspaper, commissioned typographer Stanley Morison to design a new font. Created with the assistance of the newspapers artist, Victor Lardent, Morrisons narrow font became popular with printers. Although it is widely used in a variety of fields, including the legal profession, the staid Times New Roman font is not without its critics. They suggest that the letters are uninspired and stodgy, perhaps reflecting the users own lack of imagination. Font pundits agree that font selection says something about those who make the choice to use it rather than an alternative. Gabriola. Music inspired the elegant Gabriola font, which is named for a Canadian island. Its designer, John Hudson, was inspired by the idea in music that a melody can be played in a variety of styles without losing its unique character. This font has eight sets, each in its own style, allowing users to employ it in as many variations. In addition, the font allows substitutions of characters in various styles to avoid unwanted repetitions of the same kinds of letters. Dyslexie. A dyslexic himself, Dutch designer Christian Boer developed the font Dyslexie to help himself read more easily and more accurately. Dyslexia can make reading and writing difficult because dyslexics tend to transpose or rotate letters in their minds and have difficulty recognizing them. Boers solution was to make the differences in every letter clearer so that the differences stand out better. This makes it easier to distinguish one letter from another. Boer made letters thicker at the bottom. That way, he didnt invert them in his mind. By italicizing parts of letters such as j or enlarging the openings of other letters such as a, he stresses the differences in their appearance. Boer accomplishes the same result by making some letters such as v larger than similar looking letters such as w. These strategies and similar ones have proven to work well for Boer and for dyslexics in general who use Dyslexie. Trebuchet MSAfter he finished his work on Matthew Carters Verdana font, Vincent Connare set to work creating the font that came to be known as Trebuchet MS. He was inspired by the style exhibited by US highway signs as well as a number of typefaces.